Johannes Brahms


Interior with cello by Carl Holsøe

Three Intermezzi for piano, Op. 117

Biography
Compositions

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Johannes Brahms - Three Intermezzi, Op. 117

  • Three Intermezzi, Op. 117 - II. Andante non troppo e con molto espressione
  • The piano arrangements on which these recordings are based were created by the late Hiroshi Munekawa and made available to the public on his website, Piano1001.com. The site included a clear statement granting a free, public license for any non-commercial use, handling, and redistribution of his work. In the spirit of his generosity, and to help preserve his musical legacy, these new recordings are also shared under a non-commercial license: Creative Commons CC BY-NC 4.0.

    Recorded, produced, and published by: Gregor Quendel
    © 2025 CLASSICALS.DE EXCLUSIVE RECORDINGS
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The Three Intermezzi for piano, Op. 117, are a set of solo piano pieces composed by Johannes Brahms in 1892. They show Brahms' interest in lullaby; in particular, Brahms told a friend that they were "three lullabies of my grief". They consist of:

  1. Intermezzo in E♭ major. Andante moderato

  2. Intermezzo in B♭ minor. Andante non troppo e con molto espressione

  3. Intermezzo in C♯ minor. Andante con moto

The first intermezzo is among Brahms' most popular piano compositions. It is prefaced in the score by two lines from an anonymous Scottish ballad, "Lady Anne Bothwell's Lament", translated to German by Johann Gottfried Herder:

Schlaf sanft mein Kind, schlaf sanft und schön!
Mich dauert’s sehr, dich weinen sehn.

Original:
Baloo, my babe, lie still and sleep; 
It grieves me sore to see thee weep.

History

Brahms composed the three Intermezzi of Opus 117 in the summer of 1892 while staying in Bad Ischl. In June of that year he asked his friend, the musicologist Eusebius Mandyczewski, to send him manuscript paper so that Brahms could "properly sketch" the three pieces. In September 1892 Clara Schumann learned of the existence of the pieces from her student Ilona Eibenschütz and wrote to Brahms requesting he send them to her. He obliged her request, sending her the completed pieces on 14 October 1892.

Reception

These character pieces were described by the critic Eduard Hanslick as "monologues", which Brahms' biographer Walter Niemann describes as "thoroughly personal and subjective" and striking a "pensive, graceful, dreamy, resigned, and elegiac note".

To Niemann, the middle section of the second intermezzo seems to portray a "man as he stands with the bleak, gusty autumn wind eddying round him".

Source: https://en.wikipedia.org/wiki/Three_Intermezzi_for_piano,_Op._117_(Brahms) / License: CC BY-SA 4.0

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